jueves, 30 de septiembre de 2010

A quiet soup

That was not the week I planned to have. Whoa.

A week ago yesterday, I went to bed like I do every night. I read “Shouts & Murmurs” in the New Yorker and wondered, as usual, why it wasn’t very funny. I set my glasses on top of the stack of books on my bedside table and then retrieved them when they fell, as usual, and slid behind the table. I felt pretty normal - which is to say, I didn’t feel abnormal. Until I woke up at 3:30 in the morning, feeling nauseous, and spent the next four days on the couch, trying to get down a glass of Gatorade. You know you’re very sick when even a nature documentary about the deep oceans - a nature documentary narrated by Sir David Attenborough, whom you adore, and whose voice is a known soporific - feels like too much for your fragile senses. I was very sick. I have now returned to the land of the living, and that’s all I want to say about that. Anyone for soup?



A red lentil soup, namely, from a new cookbook by Melissa Clark? It’s what I’ve been living on for three days now. Melissa Clark writes the terrific column “A Good Appetite” in the New York Times, and I’ve never made a recipe of hers that I didn’t like. She knows what’s what. A version of this soup first ran in her column almost three years ago, and I remember reading about it then, though it took me until this week to try it. I was looking for something soothing to eat, and her book was nearby, so I opened it to the table of contents, and right away, I saw it: Red Lentil Soup with Lemon. It looked reassuringly simple, without a lot of flash or spice - only cumin, black pepper, a little cayenne, lemon, and a restrained garnish of olive oil. And then I remembered that my friend Winnie had mentioned that same recipe to me a few months ago, in the spring, after a long winter of making soup. She said that it was one of her standbys, that it got everything right, and that it called for a dab of tomato paste, a dab that was brilliant and made it sing. Now that I’ve made it, I have to agree.



I only wish I had thought to put chopped cilantro on top before I took this picture. I also wish I had not drizzled the olive oil in a shape reminiscent of a snake closing in on seven unsuspecting mice. At any rate, make this soup.

I’ve made a lot of lentil soups - including one that will be in my column in Bon Appétit in December, so keep an eye out - but I’ve never made a specimen quite like this. Most lentil soups fall into one of two categories: Highly Spiced, or Not Spiced (sometimes called Bland). This one sits happily in the middle. It manages to be both mellow and full of flavor. The cumin chips in nicely, and the lemon helps close the deal, but it’s still a quiet soup, delicate and refined, every note in its place. I can’t say for sure how it works, but I think Winnie was right: tomato paste is the key. Clark ingeniously cooks it in with the onions and garlic, so it sizzles and intensifies and goes sweet-smelling, and though you can’t pick out its flavor in the finished soup, it lends some umami to the mix. All told, it’s the kind of thing you might want to pair with a few crackers and some aged cheddar, the type that crumbles when you slice it. It also screams for a beer. It says October.



Red Lentil Soup with Lemon
Adapted slightly from In the Kitchen with a Good Appetite, by Melissa Clark

I had some Aleppo pepper in the spice drawer, and I decided to use it in place of the cayenne. It’s not as spicy, but it brings a lot of fragrance, and it was a good match for the flavors of this soup. So if you’ve got it, use it.

I should note, too, that I forgot to stir the cilantro into the soup, and instead I used it as a garnish. I liked the look of it, though I might try stirring it in next time, since that’s what Melissa Clark intended.

4 Tbsp. olive oil, plus additional good oil for drizzling
2 large yellow onions, chopped
4 garlic cloves, minced or pressed
2 Tbsp. tomato paste
2 tsp. ground cumin
½ tsp. kosher salt, or more to taste
A few grinds of freshly ground black pepper
Pinch of cayenne or Aleppo pepper, or more to taste
2 quarts chicken or vegetable broth
2 cups red lentils, picked through for stones and debris
2 large carrots, peeled and diced
Juice of 1 lemon, or more to taste
1/3 cup chopped fresh cilantro

In a large pot, warm the oil over medium-high heat until hot and shimmering. Add the onions and garlic and cook until golden, about 4 minutes. Stir in the tomato paste, cumin, salt, pepper, and cayenne, and cook for 2 minutes longer. Add the broth, 2 cups water, the lentils, and the carrots. Bring to a simmer, then partially cover the pot and reduce the heat to maintain a gentle simmer. Continue to cook until the lentils are soft, about 30 minutes. Taste, and add more salt if necessary. Using an immersion or regular blender, puree about half of the soup. It should still be somewhat chunky, not completely smooth. Reheat if necessary, then stir in the lemon juice and cilantro. Serve the soup drizzled with good olive oil and dusted very lightly with cayenne, if desired.

Yield: 6 to 8 servings

sábado, 18 de septiembre de 2010

We tell stories

I’ve been thinking a lot lately about words, and about the way we tell stories. Today, I wanted to share some of the things that have been making me think.



I started listening to Radiolab as a way to pass the time while I walk the dog, because he needs a lot of walking, and now I listen because I’m crazy for it. It’s part science, part philosophy, and part sound editing wizardry, but mostly, it’s good storytelling. Jad Abumrad and Robert Krulwich, its hosts, spin the kind of stories that lure you away to somewhere else, and when you drop back into yourself, you realize that you’ve been staring into space, grinning like a dope, through the entire show.



I’m particularly fond of Animal Minds, Words, Oops, the love story of Carl Sagan and Ann Druyan that begins at approximately 14:45 of This Is Your Brain on Love, and Musical Language. If you’re short on time, start with this last, and listen to only the first five minutes. I was so tickled by it, and tickled really is the word to use, that I laughed out loud on the sidewalk in front of a stranger’s house, me and the dog and some crows.




There’s also a video that goes with Words, and after you listen, you should watch it. They go together so well.



The video made me think of my friend Brian’s blog. Brian is a great observer of everyday life, and he records those observations in photographs, which he then stitches together in a way that, whether he means to or not, quietly tells a story. If you don’t already know his work, you might start here. It’s a story I could spend a lot of time in.

Have a great day.

sábado, 11 de septiembre de 2010

Before you know it

Somewhere, a woman named Corentine is serving leeks vinaigrette for dinner. It’s been ten years, but I know it.


Corentine was my host mother in Paris, the year that I was 21 and studying abroad. She had the most magnificent name I had ever heard and something a little Jane Birkin, just a little, about her looks. Whenever someone asks me how I learned to cook or how I got into food, I usually credit my parents, but I should also credit Corentine. She and I didn’t have a lot in common, but food was enough, and we seized it. I ate at her table for six months, and she taught me what she thought I should know. She taught me how to eat cheese, how to make vinaigrette from scratch, and how to shell and snap the head from a whole cooked shrimp. She also taught me how to peel an apple in one long, curling, ribbon-like strip, which, it turns out, I still cannot actually do. Perhaps most importantly, she taught me that a plain butter cake with pears, served on a very cold night, can feel like some kind of miracle. She also taught me about leeks. Poireaux, she said.

I’d never thought about leeks before. I’m sure I grew up eating them in things, and certainly in potato leek soup, but I’d never paid attention. I’d certainly never eaten them the way she served them: on their own, as poireaux vinaigrette, steamed to a degree of doneness best described as pleasantly comatose and then sent out on a platter, towing a gravy boat of vinaigrette closely behind. She had two little boys, ages seven and nine, or maybe nine and eleven, I can’t remember, and they used to fight over the sweet white part closest to the root. I couldn’t believe that they actually seemed to know something about vegetable anatomy, much less cared enough to call dibs. I couldn’t believe how much I liked those leeks.



Behold: a mess of leeks vinaigrette, with emphasis on mess. (Corentine’s plating was much neater - as, for the record, was her hair.) I can’t believe it’s taken me this long to write about this dish. In the abstract, and particularly said aloud, its name sounds like some sort of unusual plumbing problem, but leeks vinaigrette is a classic, a very common first course in French kitchens. You’ve probably heard of it. Maybe you’ve tried it. It’s one of those concepts that slips quietly into your repertoire, and before you know it, ten years have gone by, and you’ve forgotten the ages of the sons of the woman who taught it to you, and you’re about to turn 32, not 22, and still, you’re making that dish. I’m still making leeks vinaigrette. Sometimes as often as once a week.

Leeks are harvested year-round in some places, but I usually think of them as a cooler weather vegetable. (In the summer, if the temperature gets too hot, they can wind up with thick, woody cores.) They showed up at the farmers’ market here a few weeks ago, and I pounced on them. They’re still young and skinny, about the same diameter as a bottle cap, and they’re very sweet, which makes them ideal for simple preparations like leeks vinaigrette. We put them on the menu for our family dinner at Delancey on August 31, and with the help of our friend Olaiya, who was cooking with us that night, we tried something a little different.



Usually I would just steam the leeks, blot them to get rid of excess water, and then lay them out on a plate and drizzle them with dressing, à la Corentine. But this time, we decided to boil them in big pots of salted water, both to cook them faster - we had 40 people to feed - and to infuse them with some seasoning. Then, while they were still hot, we tossed them with a good amount of vinaigrette, hoping that they would absorb it as they cooled. Rather than tasting like plain leeks topped with vinaigrette - which tastes fine; don’t get me wrong - these tasted like a third, even finer thing: leeks fused with vinaigrette, leeksandvinaigrette, rich and saucy. We served them warm, topped with a little more vinaigrette, chopped hard-boiled egg, and chopped bacon, and it was so good, so properly early fall-like, that I made it again yesterday. Only without the egg and bacon, because I got lazy. Either way, I think you’ll like it.


Leeks vinaigrette

I’ve written this recipe with wiggle room on the quantities of vinegar and mustard, and you should feel free to tweak it to your liking. It’s hard to go wrong, and anyway, your vinegars, oils, and leeks may taste different from mine. Whatever you do, it’s important to use a good, strong mustard for this dressing. I like the brands Edmond Fallot, Roland Extra Strong, and Beaufor. Keep in mind, too, that once a jar of mustard has been opened, it slowly loses its potency, so if you’ve had your jar for a while, you might want to invest in a new one.

2 to 3 Tbsp. white wine vinegar
1 to 2 tsp. Dijon mustard
¼ tsp. salt, or more to taste
6 Tbsp. olive oil
1 small to medium shallot, minced
2 lb. small leeks (about 7 or 8)

Optional garnishes
:
Finely chopped bacon
Finely chopped hard-boiled egg

In a small bowl, whisk together 2 tablespoons white wine vinegar, 1 teaspoon mustard, and salt. Gradually whisk in the olive oil, mixing until emulsified. Taste. This dressing should be fairly bright, and the mustard flavor should come through, but not too powerfully. Adjust as needed with vinegar, mustard, and/or salt. When you’re happy with it, add the shallots, whisking to blend. Set aside. Be sure to taste it again later, just before tossing it with the leeks, so that if necessary, you can adjust it according to their flavor.

Lay a clean kitchen towel on the counter near the stove. Bring a large pot of water to a boil, and salt it well. It should taste like sea water.

While the water comes to a boil, prepare the leeks. Trim away the hair-like roots, but take care not too cut in too far; you want the leek to stay intact. Cut off and discard the dark green leafy parts, leaving just the white and pale green stalk. Starting about 1 inch from the root end, so as to keep the white part intact, cut lengthwise down the middle of the leek. (If you were to splay the cut leek open, it should look like a stubby Y.) Wash the leeks well under running water, flushing any dirt from between the layers. Boil until they are very, very tender and yield easily to a knife. Their color will become muted, and they may be falling apart a little. That’s okay. To be sure they’re done, taste one: it should taste sweet, with no trace of raw flavor. The amount of time that this will take depends on their size, but it will probably take longer than you think. Ten minutes is a good bet.

Draining the leeks as well as you can, transfer them to the kitchen towel on the counter. Blot and press them dry. (Don’t burn yourself!) While they’re still hot, put them in a bowl, and toss them with a generous amount of the dressing. Allow to cool at least slightly before serving.

Serve warm or at room temperature, with more dressing spooned on top and a pinch or two of salt. If you want to make it a little fancier, garnish with bacon and/or chopped egg.

Yield: 3 to 4 servings (as a side dish or first course)

sábado, 4 de septiembre de 2010

What this summer felt like


Labor Day sneaked up on us.



We fell asleep last night with the windows open, and this morning, there was a chill in the house. I know I’m not supposed to say it, but I think something is changing.



When I think about this summer, these are the pictures I want to think about. They’re what this summer felt like.



I’ve taken a lot of ferry rides.



I’ve eaten a lot of melon. I’ve eaten a lot of strawberries.



I’ve eaten fried chicken and lemon icebox cake and zucchini. I’ve been eaten by a lot of mosquitos.



I’m ready.

Happy Labor Day.

viernes, 27 de agosto de 2010

But then

I can’t believe we haven’t talked about berry cobbler yet. August 27, and we haven’t talked about berry cobbler. I’ve got to fix that.



For a long time, I didn’t get terribly excited about cobbler. I think you’re either a cobbler person or a crisp person, the same way that you’re either a cake person or a pie person. My mother is a crisp person, and that’s what I grew up eating. I can be swayed by crumbles as well, mostly because they’re often indistinguishable from crisps, and also because crumble is such a nice word for a dessert. It sounds exactly like it tastes. (On a side note: did you know that French speakers pronounce it crum-bell? It’s awesome. I’m pretty sure Crum Bell is related to Tinker Bell, only she dresses a lot frumpier.) But more generally, in the matter of cobbler versus crisp, I lean consistently in the direction of crisp. It’s hard to beat anything involving streusel.

But then.


I met my friend Hannah a few years ago, and one day not long after, one completely normal day that was not even remotely near my birthday or any other holiday or special occasion, she gave me a copy of Chez Panisse Desserts. It was a first-edition copy, no less, a hardcover with the original Wayne Thiebaud jacket! I still feel a little faint when I think about it. Hannah didn’t know this at the time, but I had learned about Wayne Thiebaud in high school, and I loved his work so much that I bought a Wayne Thiebaud calendar and a Wayne Thiebaud day planner and spent most of a semester attempting to imitate him, outlining the objects in my paintings with thick, brightly colored strokes, and as a result, making a lot of regrettable artwork that now resides in a landfill somewhere. I loved Wayne Thiebaud. I loved this cookbook.

It had been her grandmother’s, Hannah told me. When Hannah was a kid, she used to spend weekends at her grandmother’s house. Sometimes she would try on her grandmother’s jewelry, and sometimes they would sit on the couch together, Hannah’s head on her grandmother’s lap, watching Julia Child, or Doctor Who, or golf. Hannah tells me that her grandmother would scratch her back as long as she wanted without ever complaining, which, as everybody knows, is the universal sign of a first-rate person. Sometimes the two of them would cook together. Hannah’s grandmother would stand her up at the kitchen counter on an upturned two-gallon bucket and let her help to measure, pour, and stir. Her grandmother had a huge collection of cookbooks, and I think Hannah would like me to put special emphasis on the adjective huge. It was huuuuuge. A few years ago, her grandmother began getting rid of some of her possessions, making her life a little smaller, and she told Hannah that she should take some of the cookbooks. Hannah went through the titles and, naturally, took home a stack of Julia Child books. She also spotted Chez Panisse Desserts, and she thought I might be able to do some good with it. So she took it home, and then she gave it to me. I keep it on the shelf next to the stove, and whenever I see it, I think of Hannah’s grandmother. I will probably never meet her, but I like to think that we know each other now somehow, that we’re connected in some small way. I wonder if she is a cobbler person or a crisp person.



A couple of weeks ago, I had a surplus of berries lying around and felt like baking. I pulled out Chez Panisse Desserts. I opened it up to the berry chapter, and the first recipe was for a simple cobbler. I guess I could have kept looking, poking around for a crisp or a cake or something else, but this cobbler sounded right. It sounded honest, not at all flashy, just a biscuit-like dough enriched with butter and cream, baked over sugared berries. There were no unusual flavorings or spices or flours or grains. I liked that. I liked that it was confident in its simplicity. So I tried it.

I know there are a million recipes out there for cobbler, and that what the world probably wants is some kind of new and different spin on the concept, but that’s not what this recipe is about. It doesn’t reinvent anything, and it’s not going to tie your shoes for you. That’s not what it’s meant to do. It’s meant to be an excellent cobbler, and it is. The topping is both light and rich, the way a good biscuit should be, and the fruit is only gently sweetened, its juices barely bound up with a spoonful of flour. It gets everything right. You could serve it warm with a splash of cold cream, or you could eat it warm with nothing, and the next day, you can stand at the counter and eat it from the pan, the way I did. In return, it made a cobbler person of me.


***

Quick housekeeping:
This Tuesday night, August 31, we’re cooking a "family dinner" at Delancey. It’s a multi-course, family-style, prix-fixe meal with matching wines, and there are still a few seats left! You can find more information and buy a ticket at Brown Paper Tickets. We’d love to cook for you.

***


Berry Cobbler
Adapted from Chez Panisse Desserts, by Lindsey R. Shere

Lindsey Shere was Chez Panisse’s original pastry chef, and I love her style. She approaches even the simplest desserts with elegance and great precision. This cobbler is a good example of that.

The original version of this recipe calls for boysenberries, blueberries, and raspberries. I make it with roughly 3 cups of blueberries and 1½ cups of raspberries, and I love the flavor that results. I think I’ll be sticking with that combination for a while, although I might be tempted to work in some blackberries. The only berries that don’t work so nicely here are strawberries. The texture gets weird: spongy and slimy, a little reminiscent of a jellyfish. Oh, and if you’re using frozen berries, I recommend thawing them at least partially, or else they take a little longer to cook.

For fruit:
4½ cups berries of your choice, fresh or frozen
1/3 cup sugar
1 to 1½ Tbsp. all-purpose flour

For cobbler dough:
1½ cups all-purpose flour
3/8 tsp. table salt
1½ Tbsp. sugar
2¼ tsp. baking powder
6 Tbsp. cold unsalted butter
¾ cup whipping cream

Preheat the oven to 375°F.

Toss the berries with the sugar and flour. Use the larger amount of flour if the berries are very juicy. Set aside.

In a medium bowl, combine the dry ingredients for the cobbler dough. Using your fingers or a pastry blender, cut in the butter until the mixture looks like coarse cornmeal. Add the cream and mix lightly, until the dry ingredients are just moistened. [You can prepare the dry ingredients and butter up to a few days ahead, storing it in the refrigerator. The cream should not be added until you’re ready to bake.]

Put the berry mixture into a 1½-quart baking dish. Scoop up lumps of dough and form into rough patties, 2 to 2½ inches in diameter and about ½ inch thick. I find that the dough is a little sticky, so it helps to moisten my hands with a little water. Arrange the dough patties on top of the berries. Bake for 35 to 40 minutes, or until the topping is set and lightly browned and the berry juices bubble thickly around the edges of the dish.

Serve warm, with cream to pour over.

Note: This cobbler keeps well at room temperature for about two days. (I don’t like to refrigerate it, because the texture of the topping changes.) Rewarm it gently, if you want, before serving.

Yield: 4 to 6 servings

jueves, 12 de agosto de 2010

August 12

Delancey is one year old today.



I took that picture, the one above, 16 months ago. Brandon had bought a 30-quart Hobart mixer a few months earlier, and we’d been storing it in our friend Carla’s basement. Our friend Sam named it Sir Mix-a-Lot. That morning, the morning that I took the picture, we had rented a big truck, wrestled Sir Mix-a-Lot into the back, strapped him in, and hauled him to the restaurant. The thing was so heavy, such a mess to move, and I had no idea how to operate it, and I was excited and intimidated and borderline terrified, and mostly, more than anything, I had no clue how we were ever going to get this restaurant open.



There were so many details to tend to.



An oven to build. Concrete tabletops to mix.



A mop sink to install, a paint color to choose.



We were lucky to have a lot of people, friends and mentors and cousins and siblings and parents, to help us.




Carla taught Brandon how to use a wood-burning oven. My brother David taught us how to write a business plan. My cousin Katie and her colleague Pantea worked remotely, all the way from San Francisco, to design the restaurant. Renee and Susan at Boat Street Cafe and Kitchen let me observe their kitchen during service hours, so that we could decide how to run our own. Ben helped us move the 3600-pound oven into place, and on the day of a big inspection, he came over in overalls at 8 am, ready to clean. Mohini polished the light fixtures in the dining room. Viv rolled up her sleeves and scrubbed out the reach-in fridge. Sam built our website, kept us company, helped Brandon move (and break) the concrete top of the bar, and gave us much-needed moral support. Matthew and Laurie cleaned the chairs we bought from the old Sunset Bowl. Shauna and Danny brought Lucy and came to cheer us on. Tara braved our test pizzas, and later, at a work party, scraped paint splatters and old tape from the front windows. Ashley and Gabe scrubbed the rust from the shelves of the used fridge we bought. Keaton came over with a shop vac and got rid of everything that the broom left behind. Rebecca taught us to how to lay tile, and she and Heidi painted the baseboards and walls. Jimmy scraped the glue from the metal slats on the bar. Kimberly brought us a picnic lunch. John V. built shelving, assembled tables, installed sinks, loaned us his belt sander, and gave up a lot of weekends. Ryan and Kristen walked our dog and let us use their pick-up truck. Olaiya researched vendors, codes, and aprons, and got us organized. Brandon’s father Bill ran errands and brought lunch. I know I must be forgetting someone. I hate that. I’m sorry.



Just before we opened, my mother came to town. She sanded and painted the frames for the photographs on the walls, bought flowers for the dining room and bathroom, cleaned everything that we had forgotten to clean, helped me prep my station, and took us out for drinks and a nice dinner on our anniversary. I still remember the taste of the bourbon sour I drank. I needed that bourbon sour. I was one with that bourbon sour.

And then, somehow, we were open.



We had to learn fast.






Brandon told me last night that he has made 22,000 pizzas in the past 12 months. Twenty-two thousand.



It was not an easy year. We made a lot of mistakes. I cannot tell you how happy I am that today is August 12, 2010, and not August 12, 2009. But I’m glad we did it, and that we made it, and already, I can’t imagine Delancey not being a part of our story.



I also can’t imagine not sharing that story with Danielle, Rachel, Katie, Nicole, David, Sam, Meredith, Jenn, Kit, Danny, Eric, Erin, Bobby, Ryan T., James, Aba, John S., Olaiya, Kari, Sofia, Brandi, and Mariko, the servers and hosts and bussers and dishwashers and cooks who work alongside us each day. They make Delancey a family. They are this restaurant.



But most of all, this restaurant is you, our neighborhood, our city, our customers. Thank you for eating with us, and for letting us cook for you. Without you, we wouldn’t be open today. I don’t even want to think about what we would be. We are celebrating because of you.



Thank you.

viernes, 6 de agosto de 2010

It is called toast

Thank you for the many cheers and kind words about our anniversaries. You are so good to us! We went to Bellingham to celebrate over the weekend - which, in our world, means Monday and Tuesday, the days when Delancey is closed - and I regret to report that the dinosaur graffiti has been painted over. There’s a cafe there, and they put in some outdoor seating, so I guess they wanted to spruce the place up. The only good news is that the graffiti was painted over badly, with white paint, so if you squint, you can still make out the curving neck of the brontosaurus. Shine on, dinosaurs!

I should also report that I have made a discovery, and it is called toast. I understand that most people discover toast as teething babies, and that this makes me about 31 years late to the party. But I am okay with this, because it means that I have 31 years of toast-eating to catch up on, and that is a lot of toast to look forward to.


It’s not that I had never eaten toast before. I want to be clear about that. I have eaten a lot of toast. But if you’ve been reading here for a while, or for any length of time at all, you probably know that I’ve tended to spend my morning hours in the company of granola. I’m crazy for granola, and I am also deeply boring. I’ve been making my own for close to ten years, and I’ve eaten it almost every day. On the other days, I’ve had toast, or pancakes, or French toast, or scones, or muffins, or fried eggs, because that’s what people do, but mostly, I eat granola.

But then. A couple of months ago, the granola jar was empty, and I had some bread on the counter. It was veering in the direction of stale, so I decided to toast it. Whoop de doo. No big deal. I didn’t put much thought to it. I made some coffee, set the toaster dial to medium, slid a slice of bread in, got out the butter and jam, smeared them on, and sat down to eat. And there it was, boom, as though I had never tasted it before: crisp at the edges, a faint chew at the middle, sweet in the way that browned things taste sweet, juicy with hot fat and cold fruit. I understood toast. I cut another slice.



The world doesn’t really need a recipe for toast, and I’m not going to try to give you one. The esteemed John Thorne devoted twelve pages to the topic in his book Pot on the Fire, if you’re interested, and it’s a very good read. No one can top John Thorne, and I am willing to bet that no one can top John Thorne’s toast. But technique aside, I will tell you one thing that I have come to believe: the bread is key.

The best breads for toasting are dense and damp-crumbed. If you toast a flimsy bread, the kind that’s so soft that you can wad up a slice of it in your fist without even using any muscles, the result will be something akin to a piece of crusty old foam that you might find popping out of the busted seat of a 1960s Chevy. You do not want to eat that. This morning, I had a couple of slices of pain de campagne from a bakery, one of those breads with a thick, shattery crust and a shiny, chewy crumb, and it was excellent. But my favorite bread for toasting is a homemade one, a loaf that I’ve made three times in as many weeks, from Good to the Grain, by Kim Boyce.



I have to admit that I did not come to this book unbiased. I heard about it from my friend Luisa, who is apparently also into toast right now, how weird and terrific, and who was, in her previous work life, the book’s editor. Luisa told me that Kim was onto something good, and so I had high hopes when I tried my first recipe, the oatmeal sandwich bread on page 130.

It’s probably the most unassuming recipe title in the book, so if you’re thinking Booooring, I won’t blame you. But it’s a top-notch bread, and once you try it - toasted, ideally - you’ll see why I am going on and on like this about toast. This bread is my everyday ideal: dense and hearty, but not heavy, and very fragrant with the natural sweetness of oatmeal and wheat. Prior to trying this recipe, I was buying a locally made whole wheat loaf at the grocery store, and it was nice, but it was sweetened with honey, and the flavor was too strong and too sweet. This is much better. It uses basic pantry ingredients, and once you’ve got them, you can bake whenever you want, and though it takes about four hours from start to finish, the actual work time is very brief, so you could start it before dinner, finish it by bedtime, and spend most of the intervening hours lying on the couch. The kitchen will smell like yeast, molasses, and a million bucks, and in the oven, the loaf will bloom up and out of the pan like some sort of fantastic mushroom. It’s gorgeous, especially smeared with apricot or raspberry jam, or even just butter, or, better yet, butter and a fine dust of crunchy salt. And that’s only breakfast, and you’ve got the whole day ahead.



Oatmeal Sandwich Bread
Adapted from Good to the Grain, by Kim Boyce with Amy Scattergood

I’ve noticed that some reviews of this book complain that it calls for ingredients using only volume measures, not weight measures. I don’t find that to be a deal-breaker, but it is important to measure the ingredients correctly, particularly the flours. Before you scoop any flour out of the container, take a spoon and stir the flour, lifting and loosening it. (It tends to get packed down, and you don’t want to measure packed flour.) Now, to measure, spoon the flour into your measuring cup until it heaps above the rim. Then sweep the back of a dinner knife, or any other straight utensil, across the top to level it, letting the excess flour fall back into the container.

This recipe is made for a standard-size loaf pan, one that measures about 9 by 5 by 3 inches. But mine is on loan to Delancey, so I’ve been using a different pan, one that I picked up at a thrift shop a couple of years ago. It measures 10 by 3 ¾ by 3 inches, and I love the long, skinny loaf it makes.

One last thing: the original version of this recipe calls for 1 tablespoon of kosher salt. That sounds like a lot, but kosher salt isn’t very salty, and I found the bread a little bland. Instead, I now use table salt, and I like the result when I use 2 ¼ teaspoons.

Oh, and this bread is also good for sandwiches, as you might have guessed from its title.

1 package (2 ¼ tsp.) active dry yeast
3 Tbsp. unsulphured (not blackstrap) molasses
2 ½ cups whole wheat flour
2 cups bread flour
1 cup rolled oats
4 Tbsp. unsalted butter, melted and cooled slightly
2 ¼ tsp. table salt, or to taste

Grease a large bowl and a loaf pan (see above) with butter or cooking spray.

In the bowl of a stand mixer, combine 2 cups warm water, the yeast, and molasses. Stir briefly, and then allow the yeast to bloom for about 5 minutes. Add the flours, oats, and butter, and stir to mix. The dough will look rough and shaggy. Cover with a towel, and let stand for 30 minutes. [This rest allows the dry ingredients to absorb the liquids, making for a dough that’s easy to work with and even-crumbed.]

Attach the bowl and the bread hook to the mixer. Add the salt, and mix on medium speed for 6 minutes. The dough should come together around the hook and slap around the sides of the bowl without sticking. If the dough is sticking, add a tablespoon or two of bread flour, sprinkling it down between the dough and the sides of the bowl. [Alternatively, you can knead by hand for about 15 minutes, adding flour as needed.] The dough should be soft and supple and slightly sticky.

For the first rise, scrape the dough onto a lightly floured work surface and knead it a few times. Put the dough into the greased bowl, cover with a towel, and leave it to rise for about 1 hour, or until it is doubled in size. To see if it’s ready, gently push a floured finger into it. If the dough springs back, it needs more time; if the dimple remains, it’s ready for the next step.

To shape the dough, scrape it onto a floured work surface. Press down on it, working it into a square shape, taking care to depress any bubbles. Fold the dough down from the top to the middle, then up from the bottom to the middle. Next, bring the newly formed top and bottom edges together, pinching the seam to seal. Pinch the sides together, and roll the shaped dough back and forth, plumping it so that it’s evenly formed and about the size of your pan. Place the dough in the pan with the seam side down, and press it gently into the corners of the pan.

For the second rise, cover the dough with a towel, and let it rest in a warm place for about 1 hour, or until the dough rises to half again its size. While the dough is rising, preheat the oven to 400°F.

When the dough has finished its second rise, bake for about 40 minutes, rotating the pan halfway through. The loaf is ready when the top crust and bottom crusts are nicely browned. [Boyce says that the top crust should be the color of molasses, but mine never gets that dark.] To see if the bread is ready, give the top of the loaf a thump with your hand. If it sounds hollow, it’s ready; if not, give it another few minutes in the oven. Remove the finished loaf from the pan and cool completely on a wire rack. Resist the urge to cut in until it’s fully cooled, so that the crumb has time to set and the flavor can develop.

Note: This bread keeps beautifully at room temperature. I keep mine in a plastic grocery bag, tied shut, and I set it on the counter with the cut side down. It stays good that way for 4 or 5 days, easy.

Yield: 1 loaf